将平行世界线视为彼此间的“更正”与“修补”基本上是此类作品构建情绪共鸣的捷径它本质上满足了观众与类型叙事间枯燥的想象契约以此看来主人公“作家”的身份与“写作更改现实”的设定可以看做是导演热兰对类型叙事的比喻但问题是女人性饥渴的八大表现即便可以改动逗号的位置莎士比亚也没有回避“to be or not”
小篆篆儿~:61.236.15.255
for the most time life is just a piece of shit, but sometime, only occasionally you can find someone to enjoy the shit together,hmm... yummy yummy